Two days ago, I tidied up my old hard disk and dug out the previously downloaded "Leo Altman". The picture quality was pasted into mosaics. However, I still liked it when I saw Otefei's kicking and some messy tricks. I was not touched, but guilty-how long has it been since I made my palms sweat?
So there is this "red sky".
The color matching did not refer to any popular color cards, but stared at the memory of Tyro's breastplate and the red pattern on the silver background exposed after the damage of saint seiya's coat. Silver should be cold, as if it had been quenched by war; red should be dark, like blood seeping into metal cracks, dry and wet. The two colors do not coexist in a friendly way on the car body, but bite each other. The silver face is forcibly cut into by red acute angles, like a split wound in battle, but the edge of the wound is hot.
The lines did not chase the wind tunnel data. The front of the car leans forward very big, which is the posture I want to "stand up with my knees on my knees after being beaten down"; The broken line through the side is the light track where energy blows from the chest to the limbs during transformation. The taillight is embedded with a red light blade, which means "even if your back is to you, you should know that I am still burning".
A blue light is hidden at the bottom. Seiya's little universe, Tyro's Strum, is all this color. Cold color support, red and silver is strong enough.
Design is not a tribute, it is a debt. Also childhood a warm-blooded account.