Centrat Palace,Vanke

The space creates a modern aesthetic standard, and the expression method combines the local characteristics of Quancheng. To go to the complicated and noisy, the introduction of water elements is smart but quiet and beautiful, magnificent but delicate. Through the garden, the agate jade wall enters the eye. With jade as the background, sublimate the spatial temperament. The blue and white jade floor and the white room top are clean and concise, comparing the agate jade, making the overall sense of hierarchy leap forward. The art grille adds a touch of Zen to the space. This artistic conception is taken from the classic "Leak Scenery" technique of the Royal Garden. It is subtle and elegant, semi-transparent scenery is constructed, and the focus of focusing and shifting is rich in room scenery. The ground is divided into a shallow space with black and gold mixed with wooden materials, which reflects the waterscape on both sides, and the extension of the matching material is like the entire area on the water, and the virtual and real changes are poetic. The walls of the negotiation area are divided by golden ratio, and the structural relationship is obvious and the outline is clear. The modern decoration and natural green scenery in the space are embellished with each other, giving the space a coordinated color ratio and natural strength. The dark wood veneer is polished and reflected after being processed with high-gloss paint, extending the outdoor scenery into the room, and the indoor and outdoor scenes are used to enhance the sense of space extension, and the whole space becomes fresh and textured. The use of colored clouds and moon-chasing wool stone on the water bar table has become the finishing touch in the project. The array form of the black tube-shaped chandelier is very ceremonial, with the Zen landscape in the background, and the artistic conception is long and long.