Designers from their own experience and understanding, decided to dream as the theme. This place can block the facade of the sales center without expending effort to remodel it. This complete but universal sales center is embedded in the common boring and spreading new district, with no personality, no history and no center as a clear boundary and clear center, while pure personality creates history. Subjectivity is also anti-Generic City. The designer used 529 6-meter-high steel columns to form the complete boundary of White Upland's translucent shape, thus dissolving the facade of the sales center. An abstract forest was constructed with 108 roots of three sizes of steel clover as basic elements. Caves, hills, streams, springs, forest theaters, boulders and wastelands were created along the visiting path based on forest morphology. He referenced Margaret's paintings and rewrote these objects into white, delicate geometries. The equipment also simulates the starry sky, clouds, morning clouds, fog, bird calls and flowers, and bonfires. All this is white, pulling away from the materiality of all objects and making everything seem unreal. In the end, he used Generic materials and the most basic forms to repeat and combine to build a complex and rich anti-Generic dream-a 3300-square-meter White upland made of 106 tons of steel. In the glade, the designer insisted on setting up a fountain composed of 117 nozzles. Opposite the fountain is a huge covered theater, a venue for summer band performances. These two constitute the social life scene of family and friends. The bonfire in the middle of the forest is a red cone woven by the Great World robot from 5954 meters of fluorescent carbon fiber. It is a solid flame that can enter. It was in the white forest, on the white hills, and it was the center of the White Upland, making it feel safe and warm, or love.

China
Award : GOLD WINNER
Affiliation : Shanghai Huijian Investment
Designer : Yu Ting

www.asiadesignprize.com/133630