Zen is one of the quintessence of ancient oriental culture theory, and tea is also an integral part of Chinese traditional culture. The interior design is interpreted with the charm of Zen, not gorgeous, and aims to reflect the communication between man and nature. The museum is dominated by plain colors, rough bluestone slabs and natural textured wooden floors are thick and smooth, and the traces of time bring a majestic momentum to the space. The teahouse interprets the beauty of Chinese style with a unique attitude. The first floor tea room faces north with floor-to-ceiling wooden windows instead of walls. The lake outside the house seems to have become part of the tea room, just like an oversized three-dimensional ink painting. While tasting tea, you can face the lake and sky outside the window. Su Dongpo Zeng Yun: "I would rather eat without meat than live without bamboo." Bamboo is often endowed with a cultural connotation of chic, high-quality, and modesty, so that viewers can extend to the artistic conception through viewing things, thereby creating a quiet and quiet. Empty the walls of the east and west teahouses on the first floor, and plant bamboo between them and the outer walls to form a natural picture of ink and bamboo branches, which is natural. The designer of the exhibition hall on the second floor chose the quiet and simple humanistic Zen style with the starting point of "return" and "introspection". Only one root carving was placed in the hall, and the whole six-meter wall was used for projection display. The design of the study on the third floor is mainly functional. Quiet, well-lit and conducive to concentration must be considered in its renovation. In order to achieve these effects, different methods such as color, lighting, and ornaments are used to create. Abandoning all pretensions, we strive to be bland and far-reaching, respect the original language of ancient buildings, and only retain the most basic elements of things. Use the least elements to express our respect for Su Dongpo. What we present is also Su Shi's favorite situation in those days-plain wall, Dai Zhu, green ground and white roof. The situation is dotted with leaking windows, bamboo curtains, sleeping couches, ancient lamps, orans, poems, calligraphy, paintings and so on. Especially in the setting of decorative calligraphy and painting, Su Shi's related calligraphy and painting works are collected as much as possible and made using the printing and reproduction method closest to the original work, chen is published on indoor and outdoor walls, allowing the Dongpo culture of nearly a thousand years to flow in time, space and space.

Country
China

Year
2019

Client
CITIC REAL ESTATE

Affiliation
Shenzhen DaE Interior Design Co Ltd

Designer
Chun Jui Chiu

[ASIA DESIGN PRIZE]
[www.asiadesignprize.com/]