The design of this case starts from the ancient charm of the city and originates from Fuyang's deep feelings for the city culture. The design extracts Zen from rationality to make this historic site not bear heavy load. It deconstructs and reorganizes Jieshou painted pottery and Funan willow weaving, and embodies its artistic derivative moment in the space design. It blurs the boundary between commercial space and artistic space with a more front-end expression, aiming at colliding with a natural and natural and pure modern east, reflect the concept of contemporary luxury. The design stands out from the traditional and heavy design aesthetics, meaning to take between clouds and water and recreate the free and easy and casual mind of the ancients. The reception hall is separated by black walnut and gray jade marble and landscape patterns, which creates cultural charm through rich and diverse material collocation. The landscape wall with the theme of "landscape and sea clouds" at the entrance corresponds to the empty and quiet realm of philosophy, while the seemingly nihilistic splashing ink also has real value construction, conveying the touching, listening and deductible modern east at the beginning of the design. The line itself has great design tension. The line rhythm of bamboo weaving is similar to that of contemporary art. The sand table display space emphasizes rhythm dichotomy. The art of ceiling installation skillfully takes the line elements of bamboo weaving, which is heavy and not burdensome.

The flowing and cultivated space texture extends from the sand table display space to the whole negotiation space. The whole area is based on gray and black, supplemented by gentle apricot curtain wall to create a quiet negotiation atmosphere. The blocks are organically connected, the movement and stillness are distinct, and the texture carpets with consistent styles and different forms create a coherent detail texture. The large-area floor-to-ceiling windows in the open negotiation area lead light in and have a long charm. Pieces of black and gray marble are like far-reaching ink painting. They are matched with warm and apricot leather sofas, geometric tables, chairs and lamps. The separation and fusion of different materials outline the towering silhouette of clouds and water. The customized negotiation tables and chairs also divide the plane into two parts, with solid wood on one side and ink texture on the other, conveying the modern aesthetic idea of dichotomy everywhere. The blank wall and ground accessories support Fuyang's traditional cultural heritage with a unified simplicity, adding a humanistic atmosphere to the entire space.

China
Award : WINNER
Client : Fuyang Guangju Real Estate
Affiliation : Puhui Design
Designer : Peng Yiqiao Yin Zhichao

www.asiadesignprize.com/133021